Week Three, Blog Four: Elemental Display III
The Problem with Obscurity
This is the most turbid illumination of life's sub sect, "Counterpoint!"
Consistently roast out of utterly fetid raw material sound -- a joint.
Pound the point into dull minds. Dull lines generated by blunted (no pun intended) rounded points -- retire the medium.
Digital drop box replaced the primitive feeding them (outmoded) with similar intentions, next invention's conceptualized without a writer's pension (Earn'em).
Call it the after-market’s burden -- illegitimate but still serving.
Black represents the market perception -- the prefix reps the learning.
Erudite of what lies raw between the metaphoric contours; lofty objectives of bean spilling: "Who lies more?" Unconcerned with, shut up and keep confirming! --
This indoctrinated within self, you as repository accept that wealth and repeat -- check if it’s been "felt".
Empty the conceptual room so I can here an echo (echo, echo)...
It's been dealt.
Reel it in; remember murky habitat rocks bacteria savage -- handle that.
The lucid message is easier to receive by the demographic your grabbing at.
So, remediate your efforts to melt illumination's candle wax.
'cause the straw that sips the sauce is the same one that broke the camel's back.
- AnthrAx
So, what is "the problem with obscurity"?
Well, if a tree falls in the woods and no one is around to hear it...
Tight rap! Drop a link or a file of sound? -ShareRiff
I don't have this recorded. I have no useful recording tools at home. - Cory
Audacity is free and easy. Hey, so, today, I was browsing/reading our wiki, and I heard from my dear friend Jason Britten, who, since I left PA, is always streaming beats, ideas, and bases for songs through my chat client and inbox. I heard from JB again today, and while instant messaging, I had occasion to share some of your elemental displays, and solicited some sounds in response. Without hesitation, he drew this breath. Perhaps, it might be fun to follow Megan's lead and play around with Jason's starter mix in Audacity, with an eye & ear toward articulating it to the meter of your poetry. Yes? -ShareRiff CommonsPreacher
I mean, I don't have a useful mic or preamp. My sound card isn't great either. I've got Acid 4.0, but it takes me entirely too long to compose with it, mostly because I don't have enough experience. David promised to bring a copy of Reason to class some time this semester, and everyone and their mother says that program's insanely easy to use. Everything I've ever recorded has been composed with a drum machine and a keyboard, and the recordings are now all on cassette because the master copies were on a memory card that went, coincidentally, to Pennsylvania with the keyboard. - Cory
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