Crystal - I'm not sure you'll see this note so I will email it as well but my English teacher husband wanted to send his kudos for doing a great job - we both thought it was wonderful! - SM
So you all maybe wondering what I've been up to... Well here it is! My final project.
Defining Poetry
I'm tired of writing in prose
So here it goes
I'm gonna define poetry
Using poetry
Poetry can be traced back farther
Trace it back as far as you can
Beowulf and the Anglo-Saxons
I start here
Because that is where I know to begin
Oral to written
Lost in translation
Begin by writing down our verbal patterns
See the rhythms
Notice the patterns
Watch it all connect
wæs se grimma gæst Grendel haten
Read it
Immerse yourself
Cheer Beowulf; Damn Grendel
Applaud Grendel; Hate Beowulf
Understand they are the same
Understand that they are a dyad
Listen and see the Celtic knot work that the poet weaves
Song and story now sounded together
as Hrothgar's bard declaimed over benches
a tale often told when hard was held
This is the beginning
The orature proceeding the literature
Loop it out find the link
Link it to Dragons and Monsters
Green Monsters
Sir Gawain and the Green Knight
The Green Monster in Arther's court
Come into Arther's court and see
The oral tradition has not died
Hundreds of years later the status is quo
it pleased him not to eat
upon festival so fair, ere he first were apprised
of some strange story or stirring adventure
See the rhythms
Notice the patterns
Watch it all connect
Whose the scope?
Gawain, Lord Bercalac, the old wench
Understand the context
Understand courtly love
A kiss for a kiss
A bond for thy word
Break that word and you have literature
Give the orature rhythm and rhyme
Falsify a story and add depth
Add Giant Green monsters
and a fantastic story
Teach a lesson
Add a moral
An Oral Moral
Teach the reader
Teach the listener
Whan that April with his showres soote
The droughte of March hath perced to the roote,
And bathed every veine in swich licour,
Of which vertu engendred is the flowr
Mix it
Remix it
When April with his showers sweet with fruit
The drought of March has pierced unto the root
And bathed each vein with liquor that has power
To generate therein and sire the flower;
Notice the difference
Notice the translation
Yet both true meanings are lost
Lost in the reading of an oral text
But this is how poetry evolves
All the characters and Chaucer
Join hands in the Oral tradition
But Chaucer's composure of the tale
In that lies mastery
Mastery lies
Mastered lies
Shaping the tales
Retelling the orature
Shaping the Story to teach a moral tale
Or to teach an entertaining moral…
Switch from morals to politics
Comment on the times at hand
But be slick
And be quick
And hide it within a sonnet
Spencer, Shakespeare and Petrarch
The structured shapers, the Sonneteers,
The Faerie Queen
A Midsummer Night’s Dream
ABAB
CDCD
EFEF
GG
Iambic pentameter or some other meter
And we see it play out
All the world's a stage,
And all the men and women merely players.
They have their exits and their entrances,
And one man in his time plays many parts
But we shall not part
The thys and thous
And here and now
We study, and twist to understand
The history gives us insight
But history lies
In that lies mastery
Mastery lies
Mastered lies
According to Sir Phillip Sydney
He apologizes for Poetry
He apologizes for the lies
Even historiographers have been glad to borrow
Fashion and perchance weight of the poets
Reference the scope
Many particularities of battles,
Which no man could affirm
Reference the lies
Thus the disjuncture
Reference the word
His-Story
Where did all the women go?
Well I didn’t talk about Sappho
If you forget me, think
of our gifts to Aphrodite
and all the loveliness that we shared
And yet we have forgotten
We have forgotten the women.
Did you think this would be linear?
The scope is not limited
Weave the tale
Recall the facts
Give rise to many voices
Ah well then
Aphra Behn
The Power Usurped
And Behn
Grasps the pen
And Writes
A woman
Knows her desire
Dresses the part
Flee fragile masculinity
A shape designed for love and play
Should not be wasted on the weak
Abandon by her pride and shame
She gave them up and was not meek
A pitching story that was pitched
Long forgotten and resurrected
Teach the reader
Teach the listener
The female voice has not been lost
Just long forgotten
And then Reclaimed
The lack of consummation
If only a flea had been involved
A flea could do the job
The flea could mix
And remix
The blood of the lovers
Swell in the flea
With one blood made of two
And if unfit for tomb or hearse